–œ‡°±·>˛ˇ uZ˛ˇˇˇvˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇ˛ˇ‡ÖüÚ˘Oh´ë+'≥Ÿ0êÄàϯ $ 0<X dpxÄà‰[ll labab lab4b @æ∑̈–@àˇ‡1—fi\˛ˇ’Õ’ú.ìó+,˘ÆD’Õ’ú.ìó+,˘ÆàDhp|Ñåî ú§¨¥ º#‰or"≥ ò 6> _PID_GUID‰AN{C6223F27-DE7B-40A3-9805- all tracks, defined by markers, are hooked together, seemless, no silence in between. spoken words between the tracks have been cut out , provided some ohs , giggles yeahs and ahems, which i left to the magic of the hour and the original flow of the recording session- the music. . the entire thing is seemless connected and one stream as e u r i d i c e coming up or a r i a d n e following the thread untill o r p h e u s looks back or the thread will be torn....do gods may help that this will not happen, us to loose sight.... just do not look back just go or just pick up the thread from then for new weavings to find the way up from these a b y s s i t i e s or out of these m i n o i c l a b y r i n t h s  StandardmH BA@Úˇ°BAbsatz-Standardschriftart∑"ˇˇˇˇ∑∑∑!$%+,46>DFGNSZ^dejkrsvw}ÉÑàäçéëîúù°£¶©∞±∂∑∫ª¿¬« Œ“’÷€‹fifl‚„ÁËÎÏÔ˘˙˛ˇ"&+,/078:ADEOPSTYZ`cikuwÄÑáàåçèêñóôöú°ß©∞±µ∂∫ªΩæ¬√ ÃŒœŸ⁄›fi·‚ÁËÍÎÓÔÛÙˆ¸ "&)*12679>BSVW[]`acdlmqrtuzÅáíöù¢£´¨≤≥∂∏¬ƒ«»“’€‹fl‡„ÂÁËÎÏÙ¯¸˝ !#&'07>?FJOPVW^`deghmnuw}ÇÉãçîïôõûü°¢¶ß©≠±∂∏πªº¡ƒ«…Õ“‘’Ÿ‹‰ÂÍÏÓÚÛˆ˜¸ Because with this we move towards my suggestion for the title ìgodsì (concerning euridice and ariadne)... antique gods do not show in a different way than the as numerous ones of today, also within trivial checking , sound checking, within the individual, the collective , within the big, as within the mediocre or even the unrecognized , as within the uncalculated or evident, in a special hold-it manner (hence breath holding, hand on the mouth)-. everyone notices this, may he call it then Ñgodsì or whatever he wants it, and that was it then allready again...but if s.o. tries to hold them (these that appear or speak) tightly , in possession ,or take ëem away, even with oneself they dissappear Ñwithin the abyssity of the groundsì ñ a work in progress: now Ñgodsì. how many still ? no idea...e u r i d i c e o r a r i a d n e m a y k n o w.... t h i s h a p p e n s a g a i n a n d a g a i n m a n y t i m e s w h y ? n o i d e a ! $)-.0357;=ADHIPVYZbcefijqw{áäéîòü£§´¨±≤µ∂ªæ¬√»…ÃŒ–—’◊fi„ËÈÌÒ˜¯¸˝#$(*./23568?KN_aglopvÜãåêëîïóòõúü†ß®™´ÆØ∂∫√»ÀÑ’◊ÿ€‹„ÁÍÎÚı˜˚¸!"$&().059=>@ADFIJNPTUYZ`aijnoqt{|ÅÜáâäëîòôú£ß®´≠≤¥∏ƒ… ◊ÿÍÎÚ¯˚¸ ( - . 0 1 4 5 : < > ? B C I J L M U X ` a h j o p } Ç è î ï ó ò õ ú • ® ≠ ∞ µ ∂ ∏ π º Ω ∆ « … Õ — “ ‘ ◊ ⁄ €  Á Ú Û ¯ ¸ %+27BGU\ajovy|}Çáãåëíïñù°•¶´¨Æ∞¥µºæ¿¡«…ÀÖ—ÿfiÂÈÏ̈¯˚¸ˇt h i s h a p p e n s a g a i n a n d a g a i n , m a n y t i m e s . w h y ? N o i d e a : empathy ? or being tied up within this great isolation before.... as it comes then over and over on us all : intertwining , empatho-harmonical, tribal.... but behold : all parallel lines meet yet in the end- allways at the horizon or downwards in the abyssity of the grounds - in one point, how many gods or parallel lines they may ever be: by their being so many, we can see well, what vain dreams withhold them from us : horizons and depths of grounds, both are still very far, hence as many Ñgodsì: as parallel lines intertwinings empatho-harmonicals tribals.... $ ( - / 7 8 ; < > ? D E P Q V Z d f i j p s v w | Ç á â è ï õ † § • ® ≥ º ø ¬ √ « » À à “ ” ÿ Ÿ › fi „ ‰ Ë È Ï Ì ˘ ˙  Of course this is however also related to the eternal human migration, and its rejection, now and then , whenever the gods started to speak, stepping out of their stonecarved forms... for pragma , for which also linda sharrock stands (up) within her fate and (il)legal treatment , also with this scream since ever since throughout the mediteranian, and the everlasting grandmothergeneration concerning the perpetuous repetition of the problem and its eternal repulsation, with which any human and natural migration and its rejection now and then, again and again, are confronted, by their hosts ...: the ladder cannot see the situation by their selfemblinding, the first cannot articulate it, due to their trauma being violated off their rights through a related desinformation ....linda sharrock though could do so, but she is aphasic, which hence is not hazardious or accidental, as may be neither for in ex. the ancient oracle, la clairvoiente, in delphi or theresias otherwhere, or kassandra overseas and down in the vessel's haunted darkness, hence by the same reasons...and on what what is interpretated by the warning sights of the deaf or the blind ...or the aphasics #%&*+239?CGIJRTXYbcgkrw|}ÄÅÑäçëïóúù°¢•±¥µø¿¬ƒ… —÷›·‰ÂÌÓÒˆ˜˛",126<CEKNQRVW`adeqruv~Ääåêëîïòú°£™Æ≤≥µ∂π∫¡≈—“›fiÂÊËÈÒÚı˜˚˝ Only ancient as well as modern Ñgodsì are the ones that can reveal the Ñcircumsì just because they have created them and themselves and are recreating them and themselves again and again, playing with marked cards, to make shure, that the inevitable , which is their final loss of their power, will not happen. Of course the messenger and interprete then will be hung defamed or just locked in a home or by a hatecaust cast someplace else in custody.... thats why gods... who or what these gods are or not within the negativity of their shadows or the mirrors in the abyssity of their grounds seems more than clear: unlimited parallel lines that all project, measure , fail, harmonise, pro-portionise and idealise themselves onto the one , (point), - unknown to them - at the horizon to incarbonated, stonecarved codices of behavior and life, feasting their death- and funeral-cults of these thens of the then, instead of it (hence of the point of coincidence )..., while however having it (the point at the horizon or in the abyssity of the grounds under the grounds ) to its essence still far away off- and ever more far and farer in front and before and in a far future - off themselves.... this certainly will never change in any whatever terms....before or after knowing... so Ñgodsì intertwining empatho-harmonical tribal like the seas in the seas. Listen: #%'(+,013478<>EGIJLNSTWX]chipqwxz|ÄÖÜàâåçîõûü®™¨≠∞±∏πæø¬√ –”‘€‚ÂÁÍÏÒıˆ˘˙˝˛  #$*+-.8=ACLRWY_cfgluy{áàôö†°•¶©™Æ≤µ∂∫≈»”Ÿ€fi‰ÓÔÒÚ˘˚˛ˇ #%./239:?@BCKLUX[\_`fgijrsyÄáàëíïñúù£§´¨±≤∂∫Ω惠Œ“÷◊Ÿ⁄fifl„‰ËÚ¯˙¸˝ !"()+,/034=>ABDEHIMPZ[`dityz}~àçëíïñöõû£®©¨≠≤π Listen ˇˇlab o pO RC:\Users\eee\AppData\Local\Temp\AutoWiederherstellen-Speicherung von Dokument2.asdlabo r 2C:\Users\eee\Documents\gods for knives t h a t si n g doc ˇ@Ä∂∂∞l√∂∑ê@Gêˇ:‡Ax¿ ˇTimes New Romane m p 5ê ÄSymbol3&ê ˇ:‡Cx¿ ˇ arials p a c e "qàƒ©ôƒ9á/≈9á⁄A"% •¿ ¥¥Ä0ˆˇˇ∑J"B$ ∞∆A!∞â"∞â#êâ$ên%∞ knives that sing..... ariadne following the thread untill i t m a y b e t o r n b y od d s all tracks, defined by markers, are hooked together, seemless, , , no silence in betweenlablab [(@Òˇ(StandardmH BA@Úˇ°BAbsatz-StandardschriftartŒ"ˇˇˇˇ≈s§–ûÄÄòÄÄûÄÄòÄÄúÄÄB$∑∑ˇˇ m a r g a r e t Unknownlab !$%+,46>DFGNSZ^dejkrsvw}ÉÑàäçéëîúù°£¶©∞±∂∑∫ª¿¬« Œ“’÷€‹fifl‚„ÁËÎÏÔ˘˙˛ˇ"&+,/078:ADEOPSTYZ`cikuwÄÑáàåçèêñóôöú°ß©∞±µ∂∫ªΩæ¬√ ÃŒœŸ⁄›fi·‚ÁËÍÎÓÔÛÙˆ¸ "&)*12679>BSVW[]`acdlmqrtuzÅáíöù¢£´¨≤≥∂∏¬ƒ«»“’€‹fl‡„ÂÁËÎÏÙ¯¸˝ !#&'07>?FJOPVW^`deghmnuw}ÇÉãçîïôõûü°¢¶ß©≠±∂∏πªº¡ƒ«…Õ“‘’Ÿ‹‰ÂÍÏÓÚÛˆ˜¸  $)-.0357;=ADHIPVYZbcefijqw{áäéîòü£§´¨±≤µ∂ªæ¬√»…ÃŒ–—’◊fi„ËÈÌÒ˜¯¸˝ #$(*./23568?KN_aglopvÜãåêëîïóòõúü†ß®™´ÆØ∂∫√»ÀÑ’◊ÿ€‹„ÁÍÎÚı˜˚¸!"$&().059=>@ADFIJNPTUYZ`aijnoqt{|ÅÜáâäëîòôú£ß®´≠≤¥∏ƒ… ◊ÿÍÎÚ¯˚¸ ( - . 0 1 4 5 : < > ? B C I J L M U X ` a h j o p } Ç è î ï ó ò õ ú • ® ≠ ∞ µ ∂ ∏ π º Ω ∆ « … Õ — “ ‘ ◊ ⁄ €  Á Ú Û ¯ ¸ %+27BGU\ajovy|}Çáãåëíïñù°•¶´¨Æ∞¥µºæ¿¡«…ÀÖ—ÿfiÂÈÏ̈¯˚¸ˇ   $ ( - / 7 8 ; < > ? D E P Q V Z d f i j p s v w | Ç á â è ï õ † § • ® ≥ º ø ¬ √ « » À à “ ” ÿ Ÿ › fi „ ‰   #%&*+239?CGIJRTXYbcgkrw|}ÄÅÑäçëïóúù°¢•±¥µø¿¬ƒ… —÷›·‰ÂÌÓÒˆ˜˛ ",126<CEKNQRVW`adeqruv~Ääåêëîïòú°£™Æ≤≥µ∂π∫¡≈—“›fiÂÊËÈÒÚı˜˚˝  #%'(+,013478<>EGIJLNSTWX]chipqwxz|ÄÖÜàâåçîõûü®™¨≠∞±∏πæø¬√ –”‘€‚ÂÁÍÏÒıˆ˘˙˝˛  #$*+-.8=ACLRWY_cfgluy{áàôö†°•¶©™Æ≤µ∂∫≈»”Ÿ€fi‰ÓÔÒÚ˘˚˛ˇ #%./239:?@BCKLUX[\_`fgijrsyÄáàëíïñúù£§´¨±≤∂∫Ω惠Œ“÷◊⁄€fl‡‰ÂÈÛ˘˚˝˛  "#)*,-0145>?BCEFIJNQ[\aejuz{~âéîïô§®©¨≠±≤µ∫ø¿√ƒ…–labRC:\Users\eee\AppData\Local\Temp\AutoWiederherstellen-Speicherung von Dokument2.asdlab2C:\Users\eee\Documents\gods for singing knives.doclab2C:\Users\eee\Documents\gods for singing knives.doclab2C:\Users\eee\Documents\gods for singing knives.docˇ@ÄŸŸ zŸÿpÖ•ÿŸçû£ÕŒ0@1$1J-@1@$0∞-@1"1@"0/@0l/@Gêˇ:‡Ax¿ ˇTimes New Romane m p 5ê ÄSymbol3&ê ˇ:‡Cx¿ ˇArial"qàƒ©ôƒ9áıB:á ÕˇˇZall tracks, defined by markers, are hooked together, seemless, , , no silence in betweenlablab_PID_GUID‰AN{C6223F27-DE7B-40A3-9805-Ï•¡I $ø∑bjbj≤≥≤≥ &–Ÿ–ŸŒˇˇˇˇˇˇ]Á&úÉ'É'É'É'É'ó' ( ( ( ((ó'L∂K(K(K(K(K(K(K(K(ÉKÖKÖKÖKÖKÖKÖK$‘LÙ»NÍ©KuÉ'K(K(K(K(K(©Kne following the thread untill oa n e theresias o at the horizon or in the abyss [(@Òˇ(StandardmH BA@Úˇ°BAbsatz-StandardschriftartÕ"ˇˇˇˇr£œúÄÄòÄÄúÄÄJ"∑∑ˇˇm a r g Unknownlab !$%+,46>DFGNSZ^dejkrsvw}ÉÑàäçéëîúù°£¶©∞±∂∑∫ª¿¬« Œ“’÷€‹fifl‚„ÁËÎÏÔ˘˙˛ˇ"&+,/078:ADEOPSTYZ`cikuwÄÑáàåçèêñóôöú°ß©∞±µ∂∫ªΩæ¬√ ÃŒœŸ⁄›fi·‚ÁËÍÎÓÔÛÙˆ¸ "&)*12679>BSVW[]`acdlmqrtuzÅáíöù¢£´¨≤≥∂∏¬ƒ«»“’€‹fl‡„ÂÁËÎÏÙ¯¸˝ !#&'07>?FJOPVW^`deghmnuw}ÇÉãçîïôõûü°¢¶ß©≠±∂∏πªº¡ƒ«…Õ“‘’Ÿ‹‰ÂÍÏÓÚÛˆ˜¸  $)-.0357;=ADHIPVYZbcefijqw{áäéîòü£§´¨±≤µ∂ªæ¬√»…ÃŒ–—’◊fi„ËÈÌÒ˜¯¸˝ #$(*./23568?KN_aglopvÜãåêëîïóòõúü†ß®™´ÆØ∂∫√»ÀÑ’◊ÿ€‹„ÁÍÎÚı˜˚¸!"$&().059=>@ADFIJNPTUYZ`aijnoqt{|ÅÜáâäëîòôú£ß®´≠≤¥∏ƒ… ◊ÿÍÎÚ¯˚¸ ( - . 0 1 4 5 : < > ? B C I J L M U X ` a h j o p } Ç è î ï ó ò õ ú • ® ≠ ∞ µ ∂ ∏ π º Ω ∆ « … Õ — “ ‘ ◊ ⁄ €  Á Ú Û ¯ ¸ %+27BGU\ajovy|}Çáãåëíïñù°•¶´¨Æ∞¥µºæ¿¡«…ÀÖ—ÿfiÂÈÏ̈¯˚¸ˇ   $ ( - / 7 8 ; < > ? D E P Q V Z d f i j p s v w | Ç á â è ï õ † § • ® ≥ º ø ¬ √ « » À à “ ” ÿ Ÿ › fi „ ‰ Ë È õûü®™¨≠∞±∏πæø¬√ –”‘€‚ÂÁÍÏÒıˆ˘˙˝˛  #$*+-.8=ACLRWY_cfgluy{áàôö†°•¶©™Æ≤µ∂∫≈»”Ÿ€fi‰ÓÔÒÚ˘˚˛ˇ #%./239:?@BCKLUX[\_`fgijrsyÄáàëíïñúù£§´¨±≤∂∫Ω惠Œ“÷◊Ÿ⁄fifl„‰ËÚ¯˙¸˝ !"()+,/034=>ABDEHIMPZ[`dityz}~àçìîòôù£ß®´¨∞±¥πæø¬√»œ ˇˇlabRC:\Users\eee\AppData\Local\Temp\AutoWiederherstellen-Speicherung von Dokument2.asdlab2C:\Users\eee\Documents\gods for singing knives.doclab2C:\Users\eee\Documents\gods for singing knives.docˇ@Ä¢¢∞l√¢ù@åù¢ÃÕê@ë"ë@"ê/@êl/@Gêˇ:‡Ax¿ ˇTimes New Roman5ê ÄSymbol3&ê ˇ:‡Cx¿ ˇArial"qàƒ©ôƒ9á0≈9á›S"% •¿ ¥¥Ä0ùˇˇZall tracks, defined by markers, are hooked together, seemless, , , no silence in betweenlablab  [(@Òˇ(StandardmH BA@Úˇ°BAbsatz-Standardschriftartÿ"ˇˇˇˇ©QæπŒœ}Æ⁄ûÄÄòÄÄûÄÄòÄÄòÄÄûÄÄòÄÄûÄÄòÄÄúÄÄV&∑∑ˇˇ Unknownlab !$%+,46>DFGNSZ^dejkrsvw}ÉÑàäçéëîúù°£¶©∞±∂∑∫ª¿¬« Œ“’÷€‹fifl‚„ÁËÎÏÔ˘˙˛ˇ"&+,/078:ADEOPSTYZ`cikuwÄÑáàåçèêñóôöú°ß©∞±µ∂∫ªΩæ¬√ ÃŒœŸ⁄›fi·‚ÁËÍÎÓÔÛÙˆ¸ "&)*12679>BSVW[]`acdlmqrtuzÅáíöù¢£´¨≤≥∂∏¬ƒ«»“’€‹fl‡„ÂÁËÎÏÙ¯¸˝ !#&'07>?FJOPVW^`deghmnuw}ÇÉãçîïôõûü°¢¶ß©≠±∂∏πªº¡ƒ«…Õ“‘’Ÿ‹‰ÂÍÏÓÚÛˆ˜¸  $)-.0357;=ADHIPVYZbcefijqw{áäéîòü£§´¨±≤µ∂ªæ¬√»…ÃŒ–—’◊fi„ËÈÌÒ˜¯¸˝ #$(*./23568?KDocumentSummaryInformation8ˇˇˇˇˇˇˇˇˇˇˇˇ CompObjˇˇˇˇˇˇˇˇˇˇˇˇj0Tableˇˇˇˇˇˇˇˇˇˇˇˇ@ (ˇˇˇˇˇˇˇˇˇˇˇˇ˛ˇˇˇ ˛ˇˇˇ ˛ˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇN_aglopvÜãåêëîïóòõúü†ß®™´ÆØ∂∫√»ÀÑ’◊ÿ€‹„ÁÍÎÚı˜˚¸!"$&().059=>@ADFIJNPTUYZ`aijnoqt{|ÅÜáâäëîòôú£ß®´≠≤¥∏ƒ… ◊ÿÍÎÚ¯˚¸ ( - . 0 1 4 5 : < > ? B C I J L M U X ` a h j o p } Ç è î ï ó ò õ ú • ® ≠ ∞ µ ∂ ∏ π º Ω ∆ « … Õ — “ ‘ ◊ ⁄ €  Á Ú Û ¯ ¸ %+27BGU\ajovy|}Çáãåëíïñù°•¶´¨Æ∞¥µºæ¿¡«…ÀÖ—ÿfiÂÈÏ̈¯˚¸ˇ   $ ( - / 7 8 ; < > ? D E P Q V Z d f i j p s v w | Ç á â è ï õ † § • ® ≥ º ø ¬ √ « » À à “ ” ÿ Ÿ › fi „ ‰ Ë È Éäëíõúü†¶ß≠Ƶ∂ªº¿ƒ«»Œ‘ÿ‹‡·‰ÂÈÍÓÔÛ˝ "%)*,-3467:;>?HILMOPSTX[efkotÑÖàâìòûü£Æ≤≥∂ labRC:\Users\eee\AppData\Local\Temp\AutoWiederherstellen-Speicherung von Dokument2.asdlab2C:\Users\eee\Documents\gods for singing knives.doclab2C:\Users\eee\Documents\gods for singing knives.doclab2C:\Users\eee\Documents\gods for singing knives.doclab1C:\Users\eee\DOCUME~1\gods for singing knives.docˇ@ÄØØ0¯ Øê–◊ÿAKstêØèØ‚„ó®≠◊ÿ0@1&0∞@1&0Ç @1&1“&@1&0J)@1$1J-@1@$0∞-@1"1@"0/@0l/@Gêˇ:‡Ax¿ ˇTimes New Roman5ê ÄSymbol3&ê ˇ:‡Cx¿ ˇArial"qàƒ©ôƒ9á≥Dˇˇˇˇ)*+,-./0123456789:;<˛ˇˇˇˇˇˇˇ?˛ˇˇˇABCDEFGHIJKLMNOPQRSUˇˇˇˇVWX[ˇˇˇˇ˛ˇˇˇ\]dˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇefghijklmnopqr˛ˇˇˇtw˝ˇˇˇ˛ˇˇˇyz˛ˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇˇDocumentSummaryInformation8ˇˇˇˇˇˇˇˇˇˇˇˇ CompObjˇˇˇˇˇˇˇˇˇˇˇˇj0Tableˇˇˇˇˇˇˇˇˇˇˇˇ@Rˇˇˇˇˇˇˇˇˇˇˇˇ˛ˇ ˇˇˇˇ ¿FMicrosoft Word-Dokument MSWordDocWord.Document.8Ù9≤q˛ˇ’Õ’ú.ìó+,˘ÆD’Õ’ú.ìó+,˘ÆàDhp|Ñåî ú§¨¥ º#‰or"≥ [all tracks, defined by markers, are hooked together, seemless, , , no silence in betweenTitelò 6> _PID_GUID‰AN{C6223F27-DE7B-40A3-9805-E7EAE9781FD3}˛ˇ‡ÖüÚ˘Oh´ë+'≥Ÿ0êÄàϯ $ 0<X dpxÄà‰[all tracks, defined by markers, are hooked together, seemless, , , no silence in betweenll labab Normal.dot lab4bMicrosoft Word 8.0 @æ∑̈–@àˇ‡1—fi\